Phonographische zeitschrift online dating

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In 1906 Paul Schönecker of Berlin entered a trademark for gramophone postcards.

In 1910 in Germany, Zonophon announced what they called "Musik-Postkarten" (songs, marches, or congratulations recorded to order) and claimed the total playing time to be 1/3 of a regular disc.

Acknowledgements: Frank Andrews, Peter Bastiné, Arthur Badrock, Lyle Boehland (who provided some images), Henri Chamoux, Paul Cleary, Bill Dean-Myatt, Alan Dein, Matthew Dodd, Norman Fields, John Goslin, Herbert Gruy, Scott Hambidge (who provided details on the Advertising Record Corporation), Benno Häupl, Jos Hocks (who shared his extensive research on the subject), Alan Kelly, Allen Koenigsberg, Hans Koert, Raoul Konetzni, Franz Lechleitner, Joan Lehman, Adam Miller, Kurt Nauck, Stephan Puille, Hermann Sachse (Dresden), Gary Scott, Mary Seelhorst, Géza Gábor Simon, Paul Sonntag, Paul Steier (New York), Allan Sutton, Steve Walker, J. Although the invention dates back to 1903, collectors of shellac discs looked down on this artifact, presumably because none of the “big names” are captured on them.

Introductory notes: To the best of my knowledge, this is the first attempt to shed some light on the 78rpm “talking postcard”, which was known under many names in many countries, including: Fonopost, Sprechende Postkarte, Musik-Postkarte, Schallplatten-Postkarte, Tonbild-Postkarte, Talking Card, Gramophone Record Postcard, Phonogram Card, Singing Postcard, Carte Postale Parlante, Phonopost, Phono-Postal, Carte-Disque, and variations thereof.

Thanks to researcher Jos Hocks some of the patents can be uploaded here.Likewise, collectors of phonographs or gramophones neglected the talking postcards, because they are difficult tor reproduce and tend to have a faint sound.Nevertheless, they are a fascinating subject not only for technical reasons but also because of their obvious social implications which latter aspect was in the foreground of a BBC radio feature in 2002 [Matthew Dodd & Alan Dein, "The Singing Postcard", London, ].The cards employed are of standard size, while the records, which are secured in the middle, occupy about one-half of the space on the side to which they are attached.They are not dissimilar to many of the sample records which from time to time have been used for advertising purposes, excepting that they are slightly smaller in size.

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