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The identification of these fragments as drafts of “Alma de Côrno” has implications regarding the study of the profane in Pessoan works. sem a vogal "e") na exposição Poesia Agora, no Museu da Língua Portuguesa (São Paulo, 2015).

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Here we present the preliminary texts and poems of Frederick Wyatt, including new transcriptions and significant updates from previous editions. Coordenador da colecção: Jerónimo Pizarro; Edição: Tinta‐da‐china; Revisão: Tinta‐da‐china; Capa e projeto gráfico: Tinta‐da‐china. 8) Gávea-Brown Publications at Brown University Department of Portuguese and Brazilian Studies © 2016 Brown University All rights reserved Manufactured in the United States of America Printed with the generous support of the Jennings family Various Authors Editor: Carlos Pittella Editors-in-Chief of Pessoa Plural: Onésimo Almeida, Paulo de Medeiros & Jerónimo Pizarro Copyedited by Alice Welna & Stephanie Leite Designed by Gabriela Lissa Sakajiri Cover art: Caricature of Fernando Pessoa by Jorge Brandeiro, 1966 Typeset in Perpetua by Eric Gill, Monotype Design Studio, Felice Feliciano and Josefin Sans by Santiago Orozco For all inquiries, please contact: Department of Portuguese and Brazilian Studies, Box O, Brown University, Providence, RI 02912 Gavea.

This work aspires to serve as a model for editing annotations in any volume of Pessoa’s private library, as well as to open paths of inquiry, for every poem annotated in Sonnets of this Century may contribute to a better understanding of Pessoa’s works."A segunda dissertação sobre Pessoa – a primeira fora de Portugal – foi a tese de livre-docência de Cleonice Berardinelli, Poesia e poética de Pessoa, defendida em 1958 na Universidade Federal do Rio de Janeiro (um dos primeiros trabalhos de livre-docência de mulheres no Brasil).

Se a [tese] de [Jacinto do] Prado Coelho é comumente referida em bibliografias pessoanas, a tese de Berardinelli permanece inédita, quase sessenta anos após sua concepção; somente partes mínimas do trabalho foram publicadas pela autora como ensaios.

Four annexes are presented: a note from the John Hay Library, a key to symbols used in the transcriptions, a preliminary Hubert Jennings bibliography, and a facsimile and transcription of the early inventory Jennings prepared of Pessoa’s literary estate.

We present a brief account of the publication history of Pessoa's English poetry, along with four unpublished sonnets (1907, 1914,1921, and 1933), each dating from a different decade and accompanied by a corresponding facsimile from the archive at the National Library of Portugal.

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